My Incarnation.com

Monster Trucks and Sausages

S omeone gave me free tickets to the monster truck show at the county fair, entitling me to be among the privileged few to witness a huge, elevated truck smash into a motor home.

As I chewed on the tougher parts of my fat-laden giant sausage, I surveyed the enthusiastic monster truck audience, watched them cheer for the wheelie-popping trucks, and mused on just how fragile our participatory democracy truly is.

~ by Russ Allison Loar
~ Photograph Source
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Notable People I Have Met ~ Part Two

Ray Bradbury

Bradbury at Fowler Brothers bookstore in 1975

I was lucky to have met Ray Bradbury on several different occasions through the years, at book signings and talks.

The first time was July 16th, 1975, at Fowler Brothers bookstore in downtown Los Angeles where he was signing books. My wife and I happened to see a small notice of the event in the newspaper, but it was poorly publicized and we were just about the only ones there.

He agreed to the book signing for sentimental reasons. The bookstore was where he'd met his wife, Maggie, in 1946. She was a knowledgeable salesclerk, according to Bradbury, quoted in a Los Angeles Times story: "There are not that many bookstores left where you are going to get that kind of service or that kind of intellect." Sadly, the store closed in 1994.

He signed a few books for me—some old editions from home, and some new books which I purchased at the store. Perhaps because there was no one there except my wife and I, he took the time to write personalized messages in each book. In my copy of "Dandelion Wine" he wrote: "To Russ ~ Good wishes from the boy who became the man who made this wine.”

I asked if I could photograph him and he said yes, explaining that years ago when he'd met philosopher and writer Bertrand Russell he wished he'd taken his photo. I timidly took a few photos using my terrible Kodak 110 camera.

The last time I saw Ray Bradbury was in October 2000, at Vroman's bookstore in Pasadena. My wife and I were browsing when we heard his unmistakable, enthusiastic voice. He was looking at a display of Halloween gifts, shopping for his grandchildren. I walked over to him and said, "My goodness, it’s the father of Halloween, shopping for Halloween gifts." (He's author of the novel, “The Halloween Tree.”) It was like finding Charles Dickens shopping for Christmas gifts.

He was very friendly, seemingly glad to be recognized, and a bit frail, walking with a cane. He showed me his tie, emblazoned with small pumpkins on a black background. A young female bookstore employee was helping him reach some of the gifts, but she seemed impatient. She asked if he wanted to purchase any books and he said: "No, I've got plenty of books. You know, I've written quite a few of the books you have here on your bookshelves." She didn't know.

Have you read Bradbury's "Dandelion Wine"? It begins with an ode to the beginning of summer, seen through the eyes of youth. The copy he signed for me will always be one of my most treasured possessions. Although Ray Bradbury is known for science fiction, "Dandelion Wine" is not really a science fiction book. It's a deeply felt chronicle of his own youth, seen through the eyes of a boy who begins the summer with a revelation: He’s alive, really alive!

What follows is a series of awakenings and realizations in rural Green Town, a magical small town based on Waukegan, Illinois, where Bradbury was born.

Bradbury is a writer who, like Steinbeck, sees everything through a magnifying glass; sometimes through a microscope. Like all the best writers, he teaches his readers how to see, how to think. “Dandelion Wine” taught me so many things when I was first coming of age. His stories remind me of the stories told by my own beloved grandparents, lessons from another place and time, where people are thoughtful and kind by nature. Home.

~Ray Bradbury died June 5, 2012, at age 91

~ story and photo by Russ Allison Loar

Notable People I Have Met ~ Part Eight

Carlos Vega ~ drummer

CarlosVega is perhaps best known as the drummer who played with James Taylor for about 13 years. Among musicians, he was known as a premier recording session drummer, having played with the best session musicians on albums for many of the most popular artists.

Click on this link for his biography.

Click on this link for his drum solo video.

Carlos was about 19 years old when I played my first gig with him. It was about 1976 and we were playing for a private party at the legendary Hollywood restaurant, Ma Maison, a favorite celebrity hangout.

I was a guitar player and singer in a quartet called The Entertainers that was often booked at upscale locales for a very wealthy clientele. We played with a variety of drummers, including the legendary Ralph Humphrey who played with Frank Zappa and just about everybody else in the upper crust of musicians.

When Ralph was unable to do the Ma Maison gig with us, he recommended young Carlos Vega, who was already making a name for himself by playing gigs with famous jazz players such as Freddie Hubbard.

We were blown away by his remarkable balance between technical virtuosity and natural feeling. He was always right in the pocket, deep in the groove. I played with a variety of musicians during my fifteen years of gigs and recording sessions before changing careers, but I’d never met a young man so gifted and yet so humble about his talents. He was incredibly polite, the kind of young man you’d want to bring home to meet your sister.

Carlos was a joyful soul on the brink of a great career. Sadly, he committed suicide in 1998 at age 41. I am so glad our paths crossed, and so sorry he left this world too soon. I will always think of him as the eager young musician I knew, with so many great years ahead.

~ to be continued

Fever

I was about 12 years old. My fever kept rising.

I suppose it was a bad case of the flu. I can’t remember precisely. It may have been mononucleosis.

As my temperature rose unchecked, I slipped into a place between life and death, a hallucinatory place. There before me was an immense stone floating impossibly in the air.

After all these years I still have a precise memory of that vision. It was a message that took me many years to understand, something hard to put into words, something about faith, something about a spiritual place, an eternal place where the normal laws of physics do not apply.

A few years ago I put my vision into a poem.

There is wildness here,
Raw and raging
Beneath this exterior,
Pulsing.

There are visions here
Of soaring over lifetimes of leaf-filled trees
And rust-colored hills,
Over yellow fields,
Over oceans.

There is forgetting here
Of the small things people say,
The small things people do.

There is a last angry echo
Of the unheard voice,
The deeper self,
The truer self,
The wilder self
That wearies of all man-made things.

There is a silence here
That grows and infuses,
Like the melancholy tint
Of an old photograph,
An old photograph you walk around in,
Examining with wonder the frozen, yet flowing
Moments of a life.

There is a wildness here
That rises like an immense stone,
Floating impossibly
In the pure blue sky
Of a secret spring.