Tuesday


















I found a piece of paper in a parking lot.

It had been run over numerous times, torn and trampled, faded by the sun and still damp from a light morning mist.

Because I was not in a hurry; because I was not wearing earbuds and distracted by music; because I was not staring at a cell phone screen; because I was not talking to anyone; because everything has design, color, shape and texture, I picked up the square piece of paper.

It had been some kind of glossy, card-stock advertisement for a nightclub, probably stuck under the windshield wiper of a parked car long ago.

Looking closer, I saw the face of my lost love, a strand of her curly long auburn hair falling across her bare, thin shoulder and finely sculpted collar bone.

She was smiling and looking skyward, as if she could see all the way to heaven.

That was Tuesday.




~ by Russ Allison Loar
~ Artwork by cars in a parking lot
© All Rights Reserved

Gigs — Part One






M usic has always been the strongest drug for me, one of the only things in this world that could clearly express the complex tangle of my emotions, so it was quite natural that I wanted to be a musician, to live in this ethereal realm of sound.


I spent a substantial part of my life as a guitar player and occasional singer, my vocal talents being the weaker of the two. I started playing guitar at age twelve after summer camp. My camp counselor played guitar and I was impressed. He was the older brother I’d never had, and his skills on the guitar were so rudimentary that I was not intimidated.

I started out with a horrible guitar from Sears with the strings so high off the fret board they cut into my fingers before the necessary calluses formed. I’d taken trumpet lessons earlier in life, but never bonded with the instrument. After all, it was 1963 and the Beatles were invading popular music. The guitar was the way to learn their songs.

During my first year of high school, I often looked over my backyard fence to watch my next door neighbor Keith rehearsing with his surf band. He played drums. I could see and hear them through the house’s sliding glass doors. O yes, that’s definitely what I wanted to do. I wanted to play in a band.

At various times of my life I’ve seen the future just before it’s come. When my wife was pregnant with our first child we went looking for a house to rent. Finding a "For Rent" sign in front of an old house sitting high above the street in San Pedro overlooking the Los Angeles Harbor, I remember walking up the stairs for the first time, knowing that my young family would be walking up those stairs many more times in the future. Before even seeing the inside of the house, I knew we would live there. I knew the next chapter of our lives would begin there.

It happened again after I’d graduated years later with a degree in journalism. During one of my many unsuccessful job interviews, the editor of a small newspaper had me sit behind a desk in the newsroom while I waited. Looking at the computer keyboard at my fingertips while reporters around me answered phones and typed furiously, I knew that was where I belonged. I knew I’d be working in a newsroom somewhere.

So in the same way, looking over the wall at my neighbor Keith’s surf band, I knew the next chapter of my life would be spent playing music.

I’d met a gifted piano player during summer school before my freshman year at West Covina High School by the name of John Baer. He had astounded students gathered in the music room one day by playing an improvised version of “Lullaby of Birdland” on the baby grand piano. The high school music director, who had spent his early years as a professional piano player, also watched in awe. After this 15-year-old prodigy finished his jaw-dropping performance, the students asked the music director to play, who promptly said, “I’m not going to follow that!”

John and I joined with our neighbor Keith and a saxophone player named Gary to form my first band, The Crescendoes, which should have been spelled, Crescendos. Our first gig was a dance for young people at the South Hills Country Club. We played “Moon River,” “The Girl From Ipanema,” and other light jazz tunes along with our best imitation of rock & roll and surf music. But we steadfastly refused to play “Louie Louie.” After all, we had artistic integrity. That wouldn't last long.


It was the beginning of a long and often amusing musical collaboration for John and I. We would perform, compose and record music together for the next 15 years, until I finally abandoned my haphazard music career for another stab at college.




~ by Russ Allison Loar
© All Rights Reserved

Gigs — Part Two



When I first began performing in public, it was at high school sock hops—yes, they called them sock hops because they were held in the gymnasium where you had to remove your shoes so you wouldn’t scuff the polished wooden floor. One of our high school gigs was called the “Heaven and Hell Dance.” The gymnasium was partitioned in half, and a loud, raucous, rock-and-roll band played the Hell side. We were the heavenly band, the Crescendos, playing soft, romantic songs for amorous young high-schoolers who wanted to dance close together. Very close together.

I will always remember my best friend and piano player John Baer pounding away on an old upright piano that had been moved onto the stage for us. Its only amplification was by way of a bad microphone. It would be a long time before he actually owned an amplified keyboard. He had to hit the keys so hard for the sound not to be buried by the drums and electric guitar that his fingers bled.

After a year spent learning how to sing in Men’s Chorus, I joined the high school folk music group called the Travelers. In addition to numerous school and community functions, we also played a few gigs at local folk music clubs, including a one-nighter at the relatively famous Ice House in Pasadena, owned by the husband of my half-sister who I did not know existed. I would meet her for the first time 39 years later.

After high school I formed a rock band named Pride, playing my original music at various high school and college concerts. Then it was on to various nightclub and hotel gigs playing the popular songs of the time. I cannot count the number of times I played “Proud Mary” during my gigging years. But the most intricate torture came from repeated performances of “Tie A Yellow Ribbon Around The Ole Oak Tree,” a tune that stubbornly resisted any kind of creative interpretation.

I spent six months on the road playing in the Midwest and Alaska, but soon tired of living in hotels. Perhaps the worst part of the six-nights-a-week life of a club musician was playing the same sets of tunes with no variation, no improvisation at all. And so I left the road and went back to performing at nightclubs and hotels in Southern California, interspersed with many recording sessions and concerts of original music at small clubs around Hollywood.

   I’d always written songs and short compositions, and was under contract for a while as a songwriter after high school, but nothing came of it. I eventually asked to be let out of my contract, as I could not manufacture the inspiration to write the kind of commercial tunes my producer was so fond of. He’d had successful artists in the past, and years later transformed his Southern California schoolteacher wife into the popular country western persona known as Donna Fargo.

In the years that followed I wrote and recorded hundreds of songs and compositions, but never launched an actual career as an artist. Nobody was interested, and I’ve always been rather unambitious. The fun of creating and playing music always seemed like enough for me. The only way I made money from music was as a guitar player doing gigs.

As I approached the age of thirty, I’d been doing one-nighters for about five years with a group that was consistently booked by some very high-end clients. It was great fun and on occasion some very accomplished and famous players joined our group.

On one particularly memorable evening, we were playing at The Bistro in Beverly Hills, an exclusive restaurant and watering hole whose parking lot was filled with Rolls Royce automobiles. Our drummer that night was studio musician Ralph Humphrey (Click here for website), who had played on Frank Zappa's "Overnight Sensation" album. The Bistro was the hangout of Johnny Carson, who just happened to be in the bar that night. We were playing for a private function in a banquet room. Anyone from the bar who wanted to use the restroom had to pass through a corner of the room where we were playing. When Johnny Carson suddenly appeared on his way to the restroom we were in the middle of a song, but piano player John Baer quickly jumped into the Tonight Show theme. Johnny laughed and pointed at us as if to say, “OK, you got me.”

The musician years were great fun and there is a special kind of bliss one feels being inside an energy-filled, spirit-filled musical performance, playing with other inspired musicians for an appreciative and sometimes intoxicated audience. Unlike club and hotel gigs, the one-nighters allowed us to do far more improvising. With no club owner or hotel manager looking over our shoulders, we were very free to have a lot of fun with the music.

At some point, adolescence, no matter how protracted, must end. For me, it was the approach of the birth of my first son, Joshua, that signaled I was overdue for a life change.

There are so many illusions the amateur and professional artist share, making it especially hard to objectively measure one’s talents and potential for success. But by working with so many talented musicians, I knew I was not among the more gifted or accomplished players. I remember sitting up late one night, taking a cold, hard look at what I’d been doing all those years, trying to see where it all would lead. I could not see a future for myself in music.

My best talents were in composing, yet I was self-taught and way too esoteric to achieve any kind of real success as a popular songwriter. So at age 28, the only way forward for me was to return to college. I eventually decided to major in journalism, knowing I had greater gifts as a writer than as a musician. I was determined to study the most intricate details of writing, not to skip any steps, to dissect the craft as I’d never done with music.

Music was always more of a lifestyle than a career for me, an adolescent lifestyle. I’d put it off as long as I could, but alas, it was finally time to grow up. Yet after my journalism career came to an end, I started composing and recording again, made so much easier this time by the advent of keyboards that can emulate so many different instruments, and digital recording technology: Russ Loar Music.com (Click here for website) I've even been under contract to a sound library and had some of my music used for cable television. And so music is not completely absent from my life, although as the years go by, it is receding.

Music has always been one of the toughest life lessons for me, in that no matter how strong my passion, no matter how strong my desire, there is no substitute for talent.

It's the hard, hard lesson all aspiring artists eventually learn—especially hard for those of us who have not been struck by lightning.




~ by Russ Allison Loar
© All Rights Reserved

Complete Honesty





I was an honest man when my father-in-law began to die.

It took me the first twenty-seven years of my life to become a consistently honest man, a scrupulously honest man. I was not a habitual liar, but I grew up wanting to stay out of trouble with my parents who were not of a forgiving nature, and so I lied. During my teenage years the fabrications multiplied as I tried my best to live free of parental rules and regulations. I didn’t lie to get anything in particular, I lied to stay out of trouble.

Do you realize what time it is young man?
I ran out of gas.

I started lying for personal gain during the early years of my marriage when money was hard to come by and even harder to hold on to. I would tell any number of tall tales about automobile repairs and broken-down refrigerators to convince my wealthy yet retentive parents that their money, so painful for them to part with, was at least going to some practical use.

I need $150.
What? More money? Again? We just gave you $400 to fix your car!
The refrigerator stopped. The repair guy is here right now. I’ve got to get it fixed so the food won’t spoil.

Then, one day, the lies stopped.

I was no less impecunious, but something happened that changed my perspective. I became a father. I began to question just what kind of father I would be in the eyes of my son. I knew what kind of father I wanted to be, and so I set out to become that idealized person. I had many weaknesses to address and redress, but the first, most important task was to become a completely honest man. Honest in all things, at all times. I knew the foundation of morality, character and wisdom had to be honesty. Without honesty life is a house of cards, susceptible to the slightest breeze of truth.

I began to test myself. If a waiter forgot to charge me for some item of food, I insisted that it be added to my bill. If a cashier gave me too much change at a store, I returned it. In fact, I paid particular attention to the most trivial transactions and interactions. I had much to atone for. And I was tested. An inordinate number of people dropped money from pockets and purses whenever I was around.

Clerical errors in my favor abounded. The kind of happenstance I constantly wished for during my most poverty-stricken years now occurred with peculiar regularity. I still do not know if this was an odd coincidence, a divine test, or just the sort of thing that happens all the time, a normal state of affairs which I became acutely aware of only because of my near obsessive desire to make amends for a lifetime of ethical lapses.

You only charged me for three of these cookies, but I’ve got four.

That’s OK. We’ll catch you next time.
No, please, let me pay you for this other cookie.
Don’t worry about it. It’s OK.
I cannot leave here without paying you for this cookie.

By the time I was forty-two, my honesty was habitual. A reflex. It must also be said that no being of human dimensions can achieve perfection, but I tried. I became prideful of the opportunity to display my honesty at every turn. In my professional life as a newspaper reporter, a career begun after my first son was born, I sought out dishonesty with a missionary zeal. I would recount the lies of various miscreants, their attempts to cover up their lies, their false claims of being misunderstood and quoted “out of context,” and finally their apologies. I was instrumental in destroying their reputations and shaming their families. They were ultimately responsible for their own behavior, but I was merciless. There’s no more fierce advocate for the truth than a reformed liar.

Former school superintendent Peter Snyder, convicted last year of embezzling $2.7 million from the Valley Unified School District, was stabbed to death in a San Diego County prison yesterday. “He was a good man who made a bad mistake,” said ex-wife Theresa Snyder who divorced her husband two months after his conviction.

~~~

Does honesty have limits? Should an honest person lie to avoid hurting the feelings of friends and family? Does honesty require you to tell your mother her new outfit is forty years out of date and her hairdo makes her look like Bozo the Clown? Surely we are not required to voice every subjective opinion in order to fulfill the requirements of honesty. A reluctance to express opinions and preferences, after all, is not a masking of truth, it is a refusal to engage in momentary, subjective assessment.

You’ve changed your hair.
How do you like it?
I think it brings out the real you.

And yet when it came to my personal beliefs, I never put the slightest tarnish on the truth. My late father-in-law, a physician, was a deeply religious man. Soon after I began dating his only daughter, I felt no reluctance in telling him just how medieval I thought his particular religion was.

How can you actually believe your religion is the only true religion?

We trust in the teachings of our church.

Did it ever occur to you that your self-serving religious leaders just might be wrong?

We have no reason to doubt them.

My wife and I were subsequently married without her parents’ blessings, and only over the course of years did my relationship with the two godly souls that were her parents, soften. Most of the softening came with the birth of my first son, their first grandchild. And so were we all changed by the miracle that is a newborn child. I learned to hold my tongue while simultaneously developing a genuine interest in the weather as a topic of conversation.

I returned to college and majored in journalism, a profession which is supposed to be about the truth. My father-in-law admired my determination to finish college while working odd jobs to support my family. He had entered medical school late in life after serving in the Army and knew only too well how hard it was to attend classes, study, be an attentive father and still earn some kind of living. My second son was born three years later, between semesters, and the bond between our families grew stronger. Religion was not a subject for conversation, but in all other matters, our relations became cordial.

About five years later, Grandpa Doc, as my father-in-law became known to our sons, retired from medical practice. He was a kind man who left many brokenhearted patients behind when he moved to the small Northern California town of Paradise. Yes, it’s actually named Paradise. Moving was his wife’s idea, for she was the font of all religious discipline in the family and believed the big cities would soon fall into chaos, what with the Second Coming nearly here. The small town of Paradise was indeed a beautiful, if not remote, place to live, but it left him bereft of friends and familiar landmarks. It was a cold turkey retirement. And a few years later, his isolation grew as his mental faculties failed.

And so Grandpa Doc traveled between comprehension and confusion, never fully surrendering to confusion, always fighting his way back for a while. I watched his struggle, and it was during our last visit when he asked me The Question. He was in the hospital and we were alone together. His wife had left the small, sterile room to get a drink of water and my wife went with her. He was lying flat on his back with only a small pillow under his head, confused, but not scared. He looked at me and smiled with the same unassuming manner that had always been his way with patients, especially when broaching the subject of bad news.

How does it look? Do you think I’m going to pull through?

He was counting on my honesty, asking me to confide in him. As a physician, he was only too aware of the fiction of reassuring words from friends, family and medical professionals who have decided the patient is no longer in a sufficient state of mind to process factual information. But this was one of Grandpa Doc’s clear moments and he wanted to know the truth. He figured I was the most likely person to give it to him—straight.

And what was the truth? Could I really predict the future? Was I medically qualified to give any kind of diagnosis, much less prognosis, to this man so cruelly cast adrift by old age? Of course, we all knew that his condition was not reversible. But how could I tell this religious man there would be no miracle for him?

Torn between the obvious and the miraculous, given this grave honor of rendering some kind of truthful information to a man momentarily clear enough to want to know what was really happening, I put my hand on his shoulder, smiled, and summoned my best imitation of the offhand remark, my best imitation of his own reassuring beside manner.

You’re doing OK. You’ll pull out of this. You’ll be going home soon.

He looked into my eyes and at least for a moment, he knew the truth.




~ by Russ Allison Loar
© All Rights Reserved

Life On The Moon?
















M y grandfather Herman Allison, born August 4, 1885, in Morgan's Mill, Texas, once told me that when he was a schoolboy, a topic for debate was:
"Is the moon inhabited?"


He lived long enough to see Neil Armstrong stand on the moon, on television.


~ Words and artwork by Russ Allison Loar
© All Rights Reserved

Believing In Santa


When I first told my children about Santa Claus, of course I knew there was no actual human being I was talking about. But I told my children he was real and would reward them for being good.

I didn’t care how they envisioned Santa, for there are so many variations of his image, all so innocent in spirit, lighthearted and loving. It didn’t matter. I didn’t care how they imagined he spent his time at the North Pole with Mrs. Claus, the elves and reindeer. It didn’t matter.

We all understood that Santa was real in a different way than our friends and neighbors were real. He was real in spirit, and so we could imagine all sorts of things about Santa and even read conflicting ideas about his life and accept them all without difficulty. After all, nobody really knew for sure.

The specific details of Santa’s existence were not important. It was the underlying truth, that there are larger reasons for good behavior, reasons that could last for a year or even longer. Santa was a power for goodness in the world who would bless you for your honest heart and punish those who were cruel and deceptive.

As a grownup, I replaced the idea of Santa with knowledge. I knew that honesty, no matter how unrecognized it may be among friends and family, fills your life with joy, the kind of joy that is free from shame and guilt. I also knew that those who are dishonest and mean, no matter how long their actions may go undetected, are immediately punished for their sins because of who they become. They have lost the heart of an innocent child.

Heaven and hell are here, and those who are evil live in a hell of their own making, the hell of their own existence, no matter how long they avoid punishment from others.

In this dangerous and unpredictable world there are so many good people who are so unjustly punished by life, by disease, natural disaster, political oppression or just everyday happenstance. Earth is a place where all things are possible, both good and bad. It has something to do with free will. But if we struggle against adversity with an honest heart, we will find higher ground.

So my children grew up believing in Santa, even though they did not keep him firmly in mind throughout the year. But they grew up believing that striving to be honest and good was the right way to live. And even though some of the children they knew did not believe in Santa, they did not fight with them. Some believed, some didn’t. It didn’t matter.

Most of the children who believed in Santa needed no proof. They accepted Santa as a matter of faith, buttressed by the occasional Christmas morning miracle of the missing cookies and nearly empty glass of milk. When my children began to seriously question the existence of Santa, I took them to an old stone church and we sat in a beautiful, vine-encrusted alcove and I explained that Santa was more than just one single person.

I told them Santa was the spirit of giving that lives in all of us who find joy in bringing happiness to others. I told them every department store Santa who gave joy to little children was filled with the spirit of Santa. I told them every parent who wrapped up a special gift with a card that said, “Love to you, from Santa!” was inspired by the spirit of Santa. I told them Santa was more magic than they imagined, that instead of being just one person, Santa was the spirit of kindness and love that filled the hearts of millions, especially at Christmas, and that we should keep his spirit alive every day of the year.

I told them that as we grow up, many of us replace the idea of Santa with the idea of God.

I told them the best parts of all religions were filled with this spirit, and that this is what so many people mean by the word God, that God is a force for honesty, kindness and love in the world. I told them it does not matter how we picture God or how we define God. As long as we fill our hearts with love and charity, then we are doing the work of God here on Earth.

I told them words and pictures are what we use to help us understand the spirit of Santa, the spirit of God, but the words and pictures are not what’s important. It is the meaning behind the words and pictures, the inspiration that fills each heart.

We are all imperfect, we all make mistakes and we all have times in our lives when we are so certain about things that we become blind to our errors. To fight each other over ideas about God is like trying to prove whose idea of Santa is the real idea. To fight each other over ideas of God is to be so certain that we have become blind to our own imperfection and capacity for error.

I told them some people forget that these stories are about meanings, not details. They are intended to open our hearts and help direct the course of our lives. It’s the message that's important, and what it says to each of us.

I told them to respect the religions of all cultures, that whatever ideas of God people believe in, if these ideas open their hearts and lead them toward honesty, compassion and love, then they are on the right path – all of them.

The details are not what’s important. We all speak different languages and have different ways of describing and understanding things. It’s the essence from which all explanations come that is important. That’s what faith is for, to keep the connection strong between ourselves and God because words are not enough.

We all have to start somewhere. Some of us start with Santa. The important thing is to realize that spiritual growth is like any other kind of growth – it requires change. The lessons we learn as children are for children. The lessons we learn at the beginning of our spiritual journeys are for beginnings. To grow a larger soul, we must not get stuck. We must not stop. We must keep going.

When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things.

1 Corinthians 13:11




~ by Russ Allison Loar
~ Photo: Christopher & Joshua Loar with Santa
© All Rights Reserved

Notable People I Have Met ~ Part Four




My Afternoon With Alex

The charming and erudite host of Jeopardy!, Alex Trebek, is surprisingly sardonic off camera. The studio audience—about 100 split between members of the general public on the left side of the theater, friends and family of the contestants on the right—had plenty of opportunity to ask him questions during down times between segments, sampling his slightly snarky sense of humor.

I got in the first question, a technique I used as a reporter, knowing that even at a major press conference there is often a reluctance to ask the first question. So I prepared my question in advance, rehearsed it mentally and was ready to go when Trebek asked for questions from the audience.

I asked if he'd ever been a game show contestant; if he would ever be a contestant on Jeopardy! before he retires; and how did he think he'd do as a Jeopardy! contestant.

He said he'd been a contestant on a few game shows, but would not be a contestant on Jeopardy! because then someone else would have to host the show, and "he might be better than I am." How would he do as a Jeopardy! contestant? Trebek said he would probably do well against his "peers." Then, looking directly at me, he said, "I see by your white hair that you might be one of my peers. I would crush you!"

A middle-aged man in the mostly middle-aged audience asked, "How do you pronounce all those foreign words?" Trebek answered with overemphasized, drawn out speech: "W-i-t-h M-y M-o-u-t-h."

I also talked to crisp-toned announcer Johnny Gilbert, asking how many tapings per day the winners do. He said they tape five shows a day. For Jeopardy! champion Ken Jennings to win seventy-four consecutive games, he had to win five games in a row, then get up the next morning and go win another five games. Whew indeed! The show tapes Tuesdays and Wednesdays, three weeks a month, nine months a year.

Gilbert introduced two of the three Clue Crew members who were at the taping—Sarah and Jimmy. When the pair stood up and waved to the audience, I saw that Jimmy was wearing a maroon hoodie with "HARVARD" emblazoned on the front in big letters. Yeah, OK. You're smart.

A Few Candid Moments

A fortyish woman asked Trebek what his favorite karaoke song was. He replied, "My favorite karaoke song?" then turned his head to the side and pretended to spit on the floor, saying: "I hate karaoke."

Another audience member asked him what he thought about rap music. As he began to criticize it, he seemed to pause and take a quick scan of the audience, then said he disliked most of it because of the bad language and negative references, adding that he thought it was a bad influence on youth. "Not all of it is bad, but most of it," he said, apparently not wishing to condemn the entire black youth culture.

Surprise! Trebek Doesn't Know Everything

When one of the contestants incorrectly answered "era" instead of "eon" in response to a science question requiring a three-letter word with two vowels, Trebek told the young man that "era" was not a scientific term. One of the fact checkers disagreed.

(Era can be generic, such as the era of horse and buggy, or scientific, such as the Paleozoic era.)

Trebek seemed to think "era" had only a generic meaning. But after the fact checker disagreed, he walked over to the front of the stage where a semicircle of fact checkers are located in a pit behind computer screens and telephones, and picked up one of their dictionaries. He seemed genuinely interested in making sure he had the correct information, although the staff photographer who took candid photos during the taping of the show moved quickly into position to take a few shots of Trebek studiously peering into the dictionary. He lingered just long enough to ensure a good publicity shot.

Trebek Is 73

When asked what books he's read, Trebek said he reads a lot of nonfiction, "political stuff," and also likes novelist "John . . ." and then couldn't think of the author's last name until an audience member called out: "Grisham." Then he mentioned finishing a book during a recent trip, but could not remember what it was. "It'll come to me," he said. It didn't.

So even the sharp-witted Trebek, adjudicator of all knowledge, cannot escape the symptoms of an aging mind. Or perhaps it was just overload, considering all the data that had passed through his brain by the last taping of the day. It was the fifth and last show during a day in which he'd already articulated 264 questions with but a very few misspeaks. Is this reassuring to those of us who worry about occasional memory loss? I don't know, but I'm gonna keep playing.



(Written March 2014)


~ by Russ Allison Loar
© All Rights Reserved

Poetry Class


“Nothing beats an 18-year-old pair of hips.”

It’s from a poem. Her poem. That blond-haired girl in my college creative writing class, reading her poem out loud, a poem about her love of sex, of having sex, preferably with lean 18-year-old boys at the zenith of their sexual energies.


Within a few days of her recitation I noticed she began coming to class with the professor, a man not quite twice her age who evidently was quite willing to submit his hips to her critical assessment. 

Yes, they had definitely paired off, but unfortunately, the adademic quarter came to an end before she had a chance to construct a poem about this new sexual experience.

But why should I let that fact limit my own imagination?

You Are Not My Daddy

Yes, you are not my daddy.
Yes, you are not my boyfriend.
Yes,
Yes,
Yes.

Oh my God,
Yes!

~ © Blond-haired College Girl

There’s nothing like a college education to expand one’s imagination.


© All Rights Reserved

Lost In The Desert
















I was in Egypt when I was 15, but it took many years for me to realize where I'd been and what I'd really seen.



~ by Russ Allison Loar (1st camel on left!)
© All Rights Reserved

Notable People I Have Met ~ Part Eleven



Don Callender ~ Marie Callender's founder


   I was always a rather small cog in the wheel of American journalism, yet I was lucky in meeting notable and accomplished people. I sought them out whenever the opportunity arose, wanting more than anything to hear the stories of how these extraordinary people succeeded and how their thought processes worked.

   I was lucky at the very beginning of my journalism career. I’d only written a few stories during my internship in 1984 at The Orange County Register when the editor suggested I write a story about a newly remodeled Marie Callender’s restaurant in Tustin, California, nearing completion. After contacting the restaurant manager, she mentioned that the founder of the restaurant chain, Don Callender, would be at the restaurant in a few days and I could interview him then. I jumped at the chance.



   When I walked into the restaurant for my lunch meeting with the 57-year-old Don Callender, he eyed me suspiciously until I told him I was the reporter from The Orange County Register he was expecting. He said, “When I saw your shiny shoes I thought: Oh no, here’s another one of these guys from the city." He said shiny-shoed city inspectors were making it difficult for him to open the remodeled restaurant.

   The luncheon interview lasted several hours. He was eager to tell me about the origins of his 112-restaurant chain, how it began with his mother, Marie, making pies for restaurants. “My mother was a good cook at home,” Callender said. “She made good pastries and she was working for a place that had a little lunch counter and she made pies.”

    Callender was generous with his time as we ate lunch, telling me how his parents, Cal and Marie Callender, began a wholesale pie business in 1947 to help supplement the trailer park family’s meager income. They operated out of a rented 20-by-20-foot Quonset hut in Long Beach. Callender delivered his mother’s pies on his bicycle.

   “I grew up on dirt streets and outhouses,” Callender told me. “We started with a rolling pin and 700 bucks. I used to go to work at 11 o’clock at night and work till 5 the next afternoon.”

   The first Marie Callender’s coffee and pie shop opened in 1964, in Orange. In 1986, Callender sold the chain of 120 restaurants to Ramada Inc. for a reported $80 million.

   Callender said his success was born of a strong work ethic and a close-knit family. “Every time you see a kid in a workplace with his parents, I guarantee you, you’ll see a happy kid. They’ve got a sense of worth.”


~ by Russ Allison Loar
~ Photo by Mark Rightmire for The Orange County Register
© All Rights Reserved