Fever




I was about 12 years old and my fever kept rising.


I suppose it was a bad case of the flu. I can’t remember precisely. It may have been mononucleosis. As my temperature rose unchecked, I slipped into a place between life and death, a hallucinatory place. There before me was an immense stone floating impossibly in the air.
After all these years I still have a precise memory of that vision. It was a message that took me many years to understand, something hard to put into words, something about faith, something about a spiritual place, an eternal place where the normal laws of physics do not apply.
A few years ago I put my vision into a poem.

There is wildness here,
Raw and raging
Beneath this exterior,
Pulsing.

There are visions here
Of soaring over lifetimes of leaf-filled trees
And rust-colored hills,
Over yellow fields,
Over oceans.

There is forgetting here
Of the small things people say,
The small things people do.

There is a last angry echo
Of the unheard voice,
The deeper self,
The truer self,
The wilder self
That wearies of all man-made things.

There is a silence here
That grows and infuses,
Like the melancholy tint
Of an old photograph,
An old photograph you walk around in,
Examining with wonder the frozen, yet flowing
Moments of a life.

There is a wildness here
That rises like an immense stone,
Floating impossibly
In the pure blue sky
Of a secret spring.





~ by Russ Allison Loar
~ Castle in the Pyrenees by René Magritte
© All Rights Reserved

You Are Here



You are here.

I am here.

I am writing this for you to read. How do you like it so far? Not too interesting, eh? Well, you see, there’s a very important theory behind this rather unorthodox way of beginning a . . . of beginning a . . . of beginning this.

You see, blah, blah, blah, and et cetera ad infinitum. (Imagine a long-winded, deeply serious lecture, punctuated with those very special words that immediately give you the impression that the speaker is indeed much more learned and insightful than you, the humble reader, could ever be.)

Excuse me for a minute, I have to go get something.

[Time passes.]

Back again.

Thanks for waiting.

I had to go look for this book on various schools of literary criticism, because I was going to look up a suitable word to use as an example of the kind of word that would be used repeatedly in the abovementioned discussion on the theory of just what in the hell it is I’m doing here. But it seems I’ve brought down the wrong book. You see, I keep all my books on literary criticism packed in boxes up in my attic. I find it more relaxing that way.

Anyway, the word I was looking for was mimetic — an all-time favorite with those who would rather discuss reading than read — but I’ve got the wrong book. Please excuse me for another moment because I must take this book back to the attic, for in browsing through the index, I stumbled upon the entry: “Neo-Platonism, in Plotinus,” and it’s making me queasy. I’ll be right back.

[More time passes.]

Back again.

Sorry I took so long, but I couldn’t find what I was looking for, and because I am a bit obsessive-compulsive, I nearly got sucked into cleaning my carpets, because the steam cleaner is also in the attic, near my box of books on literary theory.

I do get distracted by the ephemera of everyday life.

In fact, I’ve spent the last five years on preparations alone, laying the groundwork for some really serious and incredibly important writing. First, I had to buy a new computer, because the primordial computer I purchased shortly after the dawn of time simply would not do. Then there was the moving. I had to move to a more literary city. And you know what a time-consuming task moving can be. It was. Only last week did I finally finish decorating my den slash office. Then, there were those photo albums I’d always meant to reorganize. And so forth.

You get the idea.

So anyway, I was about to explain that this rather freeform manner in which I am writing is actually based on my experiences in graduate school, which taught me that you can invent a plausible literary theory for anything. For example, Hamlet is really a dog who is afraid to bite his master. Bad Hamlet! Bad, bad Hamlet!

It’s not that I believe that storytelling is really that passé. I love a good story, especially when it has the word “that” in it a lot. I have many ideas for stories, like the one about how Mozart is reincarnated into the 1970s as a slovenly piano player in a suburban steak house. He can play pretty well, but this time around, he attracts more flies than attention.

But the minute you (I) start writing a story like that, you’re just (I’m just) chained into this traditional structure of character and plot development and so on and so forth, until you just think (I just think), “Why bother?” Because in the end, it’s just another gimmicky story of the type that one sells to the movies (make me an offer). And where’s the fun in that?

Huh?

[Insert interjection here.]

So if one (don’t worry, I’m not going to do this anymore, after this one last time) does not engage in storytelling, then what is the point? And there (here) we have arrived at the crux of the issue (sorry, I could not resist one last parenthetical aside).

Was it not some philosopher employed by Hallmark Greeting Cards who once wrote, “It’s not the destination, it’s the journey”? Or is this just my way of employing the use of punctuation outside quotation marks, since the question mark in question would alter the original intention of the quoted material if placed within the close-quotation marks?

Which reminds me of a story:

Once upon a time, there was a little brown mouse with tiny black eyes who was very, very hungry. He was searching for something to eat in old Mr. Shimelplatzer’s house when he happened upon a bottle of Minoxidil. Old Mr. Shimelplatzer was trying to grow some new hair. The little brown mouse with the tiny black eyes pushed the plastic bottle off the bathroom counter falling to the floor cap flying contents oozing puddle.

The little brown mouse with the tiny black eyes scampered over to the towel rack, lowered himself paw-over-paw down the bath towel and tiptoed across the throw rug, leaping over the bathroom scale to inspect the strange-smelling pool of liquid. After the little brown mouse with the tiny black eyes licked it all up, he awakened the next morning to find himself transformed into a super-steroid, red-eyed, 23-foot monster mouse. He subsequently killed a lot of slow-moving senior citizens before being blown up with microwave radiation by the National Guard.

Excuse me for just a moment.

[A brief interlude, passes.]

I had to open the door of my den slash office for Inky, my swaybellied black cat who spends many long hours in the faded adobe-colored recliner where I once spent many long hours writing something I called poetry. Inky will not stop meowing at my door until I let her in, then she meows at me for a minute or two before settling in on the seat of the well-worn recliner, where I once spent many long hours writing something I called poetry.

Ah yes, sigh, those heady, ennui-filled days of youth. Now, I sit wearily on this adjustable office chair and type assorted letters into this computer that appear before me on this screen where they line up to become words and sentences, where they all gather together to do this funny little dance called, “Pretending To Matter.”





~ Text and artwork by Russ Allison Loar
© All Rights Reserved

Renegade




It was not hard to be renegade in the sleepy Los Angeles suburb of West Covina during the 1960s.


Emerging from the conservative ‘50s, all you had to be was a disagreeable teenager, especially in this Anglo-Saxonite community where most of the local power brokers attended Rotary Club pancake breakfasts with an alarming regularity. Come to think of it, regularity was also a big deal during this era.

My home town was very much like the place portrayed in the movie, “American Graffiti.” It was a teenage car culture, and after I turned 16, I had a driver’s license. Not long after, I had a car. My parents were upper middle class, so I did not have to actually earn the money to buy a car. And my mother was eager to be free of having to take me places, and then, pick me up and bring me home. Her life was busy enough, what with Women's Club luncheons to plan, bridge parties, country club appearances and the ongoing burden of supervising housekeepers and gardeners — all this along with a husband who actually expected her to make dinner on a regular basis. Yes, regularity was a pretty big deal during this era.

Nowadays there are lots of restrictions on young drivers, but when I got my license, I was free, turned loose on the streets without any restrictions or guidelines. Just a few hours of driver’s ed. But I was a pretty good driver. I’d had experience, what with all those times I took my parents’ cars out on the road when they were away for a weekend trip. Yes, I remember learning how every intersection was not necessarily a four-way stop as I propelled my mother’s lumbering, razor-finned Cadillac straight toward a passing car who, much to my surprise, had no stop sign. I hit the brake pedal just in time.

Then there was that lesson about road rage, what we used to call, “mad” or “angry.” I thought driving was a competition, and that the object was to beat the other drivers. After all, I wasn’t actually going anywhere. So I jammed down the gas pedal and managed to pull the great white whale in front of this other guy in an old, compact car who had tried his best not to let me into his lane. While I was waiting behind another car at a stop sign, he got out and walked up to my car, signaled for me to roll down my window, which I did, then punched me in the face.

By the time I had my own car, a dark green 1965 Ford Mustang — the fastback model — I was seasoned. I’d make my car too fast to catch, and I certainly would never roll down my window again for anybody.

In those days it seemed like most of my friends and rivals were working on their cars, customizing old Chevys, putting in big carburetors, high performance shifters, custom exhaust systems, giant racing slicks – even whole new engines. This was long before the state-mandated smog check. Nobody checked the condition of our cars when we renewed their registrations, so all modifications went undetected. I was not one of the more talented kid mechanics around, although I could gap a spark plug. I was a musician, a guitar player, and I did not like getting my fingers stained with grease. So I took the money I saved from teaching guitar lessons and working in a local pizza parlor and went to a speed shop in a neighboring city to let the experts juice up my horsepower. The first thing they did was rip out all the smog prevention equipment.

“You don’t need all this stuff,” I remember the mechanic saying. Years later, when I tried to trade the car in on a new model, the local Ford dealer would disagree. “You’ve got no smog equipment! We’re going to have to replace it all just to put the car on the lot.”

Oops!

Except for a little cash for dating and guitar strings, I’d put all my money into my car — a nice racket for the speed shop — and after a while I began racing my car on Saturdays at the nearby Irwindale Speedway along with all the other high school amateurs. But as a renegade teenager, the real thrill was street racing. It was like being a gunslinger in the Old West, just prowling around town, looking to challenge somebody to a shootout.

Yes, I had my share of speeding tickets, but I was never caught racing. Most of us weren’t. There were not that many police officers cruising around town in those days.

There was always the occasional race during the day, when I’d just happen to pull up next to another kid in a hot car after school. Who was faster? We just had to find out! But weekend nights were the real prime racing time. It was like jousting, trying to prove our nascent manhood to our girlfriends, or to somebody else’s girlfriend.

Sometimes the races were organized.

Some guy with greasy hair had a new Camaro 280z and swore he could take me. Bets were made and the next Saturday night my friends blocked off both ends of a sleepy suburban street about a half-mile long while we lined up our cars. About twenty high school kids gathered at the finish line. Camaro boy couldn’t catch me, even though his car may have been faster. I was always incredibly quick off the starting line.

That’s what won me the race set up by the speed shop at Irwindale Raceway. There was another kid, a rich kid whose father owned a shopping center, who was already out of high school, who came to the speed shop with a Mustang pretty much like mine. The speed shop mechanics figured this guy would be good competition for me. After they’d done their best to expand his horsepower, we set a date.

The early part of the afternoons at Irwindale were spent doing practice runs, called “qualifying.” You had to turn a good enough time in your particular class to compete in the early evening, before the actual professionals did their stuff for the audience who sat in bleachers on either side of the quarter-mile track.

Rick – my well-financed opponent – and I both qualified at the top of our class and were set to compete. I had the advantage of nearly a year of experience, while this was Rick’s first time at a professional raceway. He was a little nervous, especially since we had an audience of friends, girlfriends and the speed shop mechanics. It had just turned dark as we pulled up to the starting line, facing the “Christmas Tree,” a series of lights mounted on each side of a central bracket that indicate when the cars are in the right starting position. Then, once the cars are positioned, the yellow lights count down to green. If a driver started too early, a red light would signal disqualification.

We both edged our cars into starting position, our engines almost window-shatteringly loud because we’d opened up our “headers” (high performance exhaust systems) to bypass the mufflers. From experience, I knew the slight lag time of my car – from the time I hit the gas pedal to the car’s forward surge – allowed me to start a half second before the green light flashed.

We waited, then the first yellow light flashed on, moving down toward the green light. The moment Rick’s brain told him the light was green, I’d already jumped out from the starting line. He was momentarily stunned, and even though he turned a faster time, he never caught me. It wasn’t really about how fast you went, it was about who got there first. Mind over horsepower. I made it to the finish line first, won the trophy and renewed admiration from my girlfriend.

Yes, it was a moment.

Of course now as a responsible adult I am appalled at my behavior, risking accident and injury on the streets of my sleepy suburban town. Perhaps that’s why it made so much sense for all of us to go just outside of town to the Chicken Ranch.

There was a long, straight road inside the Chicken Ranch property, made for trucks to pick up eggs and chickens, I suppose. Nobody stayed with the chickens at night, especially not on Saturday nights. This particular night had not been the first time high school hot rods had raced there, but it was my first time.

There were dozens of competitors from area high schools and junior colleges, and dozens more who just came to watch. It is a solemn testament to the short-range saturation of the teenage brain that none of us had entertained a single thought about potential consequences. Rubber burned and smoked and engines spit and roared as pair after pair of racers hurtled down the improvised racetrack. After I made my run, the growing chaos of beer-swilling youth amazingly enough triggered some fledgling sense of adult apprehension in me, and so I left. As I exited the entrance to the Chicken Ranch, I was passed by a long line of police cars.

That was the last race ever held at the Chicken Ranch. It was my senior year, and before long, I’d own a more practical car, have a more practical girlfriend, and grow a little less renegade as the wild anarchy of my teenage years passed. After all, I had to prepare for the wild anarchy of my twenties.


~ by Russ Allison Loar
© All Rights Reserved

The Princess Marjorie



M y mother saved things.

She had $50 bills hidden in an envelope beneath a stack of unread magazines in the cupboard of an old nightstand.

She had a small box of Kennedy half-dollars inside a small safe, underneath stacks of envelopes bound together with rubber bands. There were $50 bills inside some of the envelopes.

There were lacquered jewelry boxes and plain cardboard boxes filled with necklaces, rings, pendants and pins in dresser drawers beneath undergarments, old mail, pill bottles, pens and a lifetime of assembled ephemera. There were some valuable heirlooms mixed without distinction among trinkets from the many countries she had visited with her late husband. Photos taken by her husband were collected in box after box of incredibly boring slides which were viewed once or twice when friends came over, then stuffed into cupboards and never seen again. Marjorie and her husband did not seem to enjoy their travels as much as they enjoyed accumulating them to be admired and envied by their friends.

My mother was 15 years old in 1929, when the stock market crashed, followed by years of economic turmoil. But her parents were wealthy and the family was protected from ruin. She was a spoiled, only child who was smart and talented. She was a top student, played the piano and the violin, and pretty enough to be pursued by legions of young men, her friendship desired by admiring young women. She was a small-town princess whose photo routinely appeared in the society pages of the local paper.

So many in her small town had fallen into poverty during the aftermath of the Great Depression. So she saved. Everything.

By the time I was a teenager, her garage had turned into a museum of the useless and obsolete. She had saved all my father’s old electric shavers, though they didn’t work very well anymore. But they had value, somehow.

She saved cookie tins, so handy for storing things, even though she had more than twenty empty tins stuffed into a cupboard beneath her dead husband’s cluttered workbench. You never know when you might need one, she thought, and if she threw them away, in just a very few days she’d suddenly have a use for them, and then it would be too late.

After her electric garage door opener had to be replaced, she would not let the repairman take away the old, greasy, rusty, 12-foot-long mechanism. There might be parts in it that would come in handy some day.

The garage was packed full of stuff like that: old corroded sprinkler heads, scrap lumber stored in the rafters, old magazines, cardboard boxes that had come with her televisions, her coffee maker, her microwave. There were cracked plastic buckets filled with tattered kitchen dish towels and rags. Boxes of old calendars, coffee cans full of nails and screws and other mysterious, hard-to-identify parts saved by her late husband.

Inside her house every drawer was packed full. Many contained unopened mail, solicitations she meant to review, stacks of envelopes bound with rubber bands. She kept every greeting card she’d ever received, every letter, all the way back to when she was a little girl.

One might guess she was a sentimental person. But sentiment was barely in evidence as she accumulated her way through life. Sentiment was, at best, a fleeting afterthought, a momentary pause in the pursuit of acquisition. She never looked at the things she saved. Much of it was packed away in places too difficult to easily access. Each card and letter she saved was a kind of honorary award, bearing testament to her worth. They were her small trophies; homage paid to the princess.

I could go on and on, describing in great detail all the unused kitchen appliances, the unread books, the cabinets full of figurines, crystal, ceramics and silver – so many things only the privileged could afford to own, things that were never taken out of their places and handled, looked at or enjoyed.

But even in this small accounting, my writing becomes a repetition of the compulsions that surrounded me as a child, the compulsions that infused my soul, against which I have fought every day of my adult life.

Inside my mother’s garage, inside her drawers, in her closets and cupboards, in her attic, in every empty space, a lifetime of accumulation gathered randomly, while on the outside, her splendid home was neatly decorated, her most expensive possessions on display, touched only by the housekeeper who kept them dust-free.

My mother married a successful salesman, too young and sheltered to realize she’d fallen in love with a sales pitch, not a man. They were far from soul mates. She was Lady Di. He was Homer Simpson. She kept her husband at arm’s length as the years passed by, in his appropriate place, untouched, on his side of the bed. After a few years, she accumulated two children. First my sister, then I were adopted – an appropriate pair to show off at the country club.

As time went by, her husband and her children proved to be quite troublesome. Instead of showering her with praise, devotion and servitude, we actually required love and affection. Since she could not put each of us in a display case, she entombed herself within a display case of her own making. She became untouchable, permanent, unchanging, unwilling to share her carefully constructed and accumulated life. Yet we were relentlessly human and asked for more than she could give, and grew to resent her.

She came to realize she’d made a mistake. Life had been perfect when she was the only child, the small-town princess, admired by all she knew. She could never become the supplicant, required to make an earnest entreaty for love. She was superior and would never admit any kind of emotional need. And so she accumulated things and pre-empted any emotional connection by treating those around her with cruel contempt.

She was known in the community as a rich and respected woman who lived in a grand house full of splendid possessions. But she was utterly impoverished in spirit, without those intangible things which are our true possessions, which are the true measure of our lives.

This was my mother, the Princess Marjorie, sovereign of a vast wilderness.




~ by Russ Allison Loar
© All Rights Reserved

Notable People I Have Met ~ Part Seven



Ralph Humphrey ~ virtuoso drummer

While not a familiar name among the general public, drummer Ralph Humphrey is famous among musicians. He’s known for playing with a long list of musical luminaries and just about every kind of gig and recording session imaginable. But when I played a few casuals with Ralph in 1975 and 1976, for me, his crowning glory was that he’d played with Frank Zappa, most notably as the only drummer on the 1973 Zappa album “Over-nite Sensation.”



Ralph’s playing on “Over-nite Sensation” introduced a different kind of rhythmic sophistication to Zappa’s rock and jazz hybrid tunes, creating a sound of raw power precisely executed. Every musician I knew was listening to that breakthrough album.

The first gig I played with Ralph was at The Bistro in Beverly Hills, famous for its celebrity patrons. We played for a City Of Hope dinner for luminaries honored by the medical center’s foundation. I quickly realized I was in rarified air when I saw the parking lot. It was wall-to-wall Rolls Royce automobiles.



On our first break, I peppered Ralph with questions about Zappa. I especially wanted to know if Zappa was sincere when he so often publicly stated he did not use drugs. His appearance and his wild musical mind, not to mention his bizarre lyrics, often gave people the impression that he must be high on something. But Ralph confirmed that Zappa did not use drugs. He was, in fact, an anti-drug advocate, although he did smoke cigarettes.


“I think if Frank ever really got high and took a good look at himself it would really freak him out,” Ralph said.

{The above quote is approximate, from my imperfect memory.}

I was a competent guitar player, but far from the A-list level that Humphrey belonged to. I asked Ralph how he rose to such a high level of musical proficiency. If there was some secret bit of wisdom, some path to greatness I’d overlooked, he would know about it. But Ralph said his musicianship was simply a result of a lot of study, practice and dedication. I suppose he was too modest to mention talent.

Check out his superb musicianship on the recently released "Roxy ~ The Movie," a CD and video compilation of Zappa performing over four nights in Hollywood at the Roxy in 1973. I was there—in the audience!

Click Here for "Roxy ~ The Movie" at Amazon

That evening led to another encounter with a famous celebrity--Johnny Carson. Someone said the lounge at The Bistro was a favorite spot for Johnny and Jack Lemmon who would meet there on occasion. A few hours after our gig began, we heard that Johnny was in the bar.

To get to the restroom, bar patrons had to cut across a corner of the banquet room where we were playing. In the middle of a tune, we spotted Johnny making his way to the restroom. Without dropping a beat, the piano player broke into the theme song from “The Tonight Show.” Johnny looked over, pointed at us and laughed, quickly disappearing from the room.


~ by Russ Allison Loar
~ Ralph Humphrey bio
© All Rights Reserved